Tag: Star Wars

Is ‘The Mandalorian’ Visiting a ‘Star Wars’ Prequel Planet?

href=”//screencrush.com/author/screencrushstaff/” rel=”author” title=”ScreenCrush Staff”>ScreenCrush StaffPublished: September 16, 2020Lucasfilm

We’re still obsessing over The Mandalorian Season 2 trailer over here at ScreenCrush HQ. With the second season of our favorite Disney+ show less than two months away, we’re filling our hours rewatching the teaser and trying to piece it all together. Lately, we’ve become obsessed with one particular part of the trailer — and its possible connection to the Star Wars prequels.

That’s the subject of this latest video from ScreenCrush’s Ryan Arey, which looks at the clues that The Mandalorian will be returning to one of the most important planets in the history of the Star Wars prequels. Is Mando headed to Kamino? And if he is, what does that mean for what’s in store for Baby Yoda on this season? Watch below and find out:

If you liked this video about our theory about The Mandalorian’s connection to the Star Wars prequels, check out some of our other videos, including the Easter eggs in the new trailer for The Mandalorian Season 2, our essay about why the New Republic from the original Star Wars trilogy was doomed to fail, and lots of Mandalorian Easter eggs from Season 1. Plus, there’s tons more over at ScreenCrush’s YouTube channel. Be sure to subscribe to catch all our future episodes. The Mandalorian premieres on Disney+ on October 30.

Gallery — Our Favorite Rise of Skywalker Easter Eggs:

‘The Mandalorian’ Season 2 Trailer: Baby Yoda Is Back, Baby!

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerPublished: September 15, 2020Lucasfilm

The Mandalorian is back.

We’re less than two months from the return of Disney+’s top series — the first-ever live-action Star Wars show — and the first trailer for the new episodes is here. It features plenty of Mando action and lots of Baby Yoda adorableness, sometimes all at once — like in the sequence where a bunch of space baddies threaten Mando (Pedro Pascal) at some kind of intergalactic wrestling match, and The Child hides in his cute widdle hoverchair while his protector takes care of all the bad guys.

The new season looks like it will be adding Jedis and the Rebels to the mix of characters. We don’t see any of the returning Star Wars legends that have been rumored for this season (like Boba Fett), but we do see Mando racing away from some X-wings, and some Stormtroopers giving chase on some speeder bikes. Watch the full trailer right here:

Here’s the official synopsis of The Mandalorian Season 2:

After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. “The Mandalorian” is set after the fall of the Empire and before the emergence of the First Order. We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.

The Mandalorian Season 2 premieres on Disney+ on October 30.

Gallery — Amazing Star Wars Concept Art:

Daisy Ridley Didn’t Know Rey’s Origin During ‘Rise of Skywalker’

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerPublished: September 9, 2020Lucasfilm

Star Wars is famously protective of its secrets — apparently even from its stars.

As a guest last night on Jimmy Kimmel Live!, guest hosted by Josh Gad, Daisy Ridley admitted that even she didn’t know the answer to Rey’s mysterious parentage until the end of shooting Star Wars: The Rise of Skywalker. If it seemed like Rey’s origin kept changing throughout the Star Wars trilogy, that’s apparently because it did.

As Ridley explained to Gad, “At the beginning there was toying with an Obi-Wan connection. There were different versions, and then it really went to that she was no one. Then it came to Episode IX, and J.J. [Abrams] pitched me the film and was like “Oh yeah; Palpatine’s grandaddy.” And I was like “Awesome!”

That wasn’t the end though; two weeks later, Ridley says, Abrams came back and said  “Ooh, we’re not sure.” According to her, she “wasn’t sure what the answer was going to be … even as we were filming.”

It’s not uncommon for big blockbusters to keep its most important spoilers on a need-to-know basis; crew and cast only get the info they need for their jobs and roles to prevent unnecessary leaks. This Rey stuff goes way beyond that; here even the people who need to know the info don’t have it. You could argue, I suppose, that Ridley’s own confusion about Rey’s history was good for the character, who was just as unsure about her origin as the audience. By The Rise of Skywalker, though, it does seem like Ridley probably could have given a more informed and pointed performance if there had been a little consistency here. It’s hard to play how a character’s feeling if you don’t know what they’re feeling.

Ridley’s appearance on Jimmy Kimmel Live! below:

Gallery — Cool Star Wars: The Rise of Skywalker Easter Eggs:

‘The Mandalorian’ Readies Season 2 Return With First Look Images

href=”//screencrush.com/author/screencrushstaff/” rel=”author” title=”ScreenCrush Staff”>ScreenCrush StaffPublished: September 8, 2020Lucasfulm

Sequels are big in Star Wars. Some of the later movies didn’t always work out, but the first sequel — The Empire Strikes Back — might be the best movie sequel ever. So the expectations for Season 2 of The Mandalorian are huge. The first season was a hit with critics and fans alike. Can Lucasfilm outdo itself in Season 2?

We’ll find out in less than two months when The Mandalorian Season 2 debuts on Disney+.  As the premiere date gets closer, we’ve got the first look at the new show — which apparently finished shooting just days before the coronavirus pandemic shut down Hollywood for months — via a new cover story in Entertainment Weekly. (The cover story comes in two versions, by the way; a Mando cover and a Baby Yoda version.)

The new images include a look at Pedro Pascal’s Din Djarin, the Mandalorian, sporting his newly improved armor, with Baby Yoda, who Lucasfilm still wants us to call “The Child” for whatever reason:

Additional shots include Mando with his returning allies Greef Karga (played by Carl Weathers) and Cara Dune (Gina Carano). There’s also a very cool shot of the Mandalorian on a speeder bike straight out of Return of the Jedi:

As for the rumors of recognizable Star Wars characters joining the series in Season 2 — like Rosario Dawson as Ahsoka Tano and Temuera Morrison as Boba Fett — Carano said that “some of [the rumors] are true, some are not sure,” while noting that the secrecy on the set during Season 2 was so high that actors got “scripts only for their own episodes” and were “ushered to sets in black cloaks and hoods like incognito Sith Lords.”

The Mandalorian creators were able to keep Baby Yoda a secret right up until the day the show premiered on Disney+ so we could be in store for more big surprises when Season 2 debuts premieres on October 30.

Gallery — Science-Fiction Movies That Predicted the Future:

John Boyega Says Star Wars’ Treatment of Finn Was ‘Not Good’

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerPublished: September 2, 2020Lucasfilm

So when John Boyega says he’s “moved on” from Star Wars, you should believe him. Based on his his even-stronger comments in a new interview, I would not expect to see him in a galaxy far, far away any time soon.

In his first extensive interview since the Star Wars saga ended, Boyega told GQ about the experience, good and bad, working with Disney and Lucasfilm. While Boyega had positive things to say about director J.J. Abrams — even going so far as to defend him over the mixed response to The Rise of Skywalker (“He wasn’t even supposed to come back and try to save your s—.”) — he is blunt in his assessment that his character was mistreated in The Last Jedi and The Rise of Skywalker:

You get yourself involved in projects and you’re not necessarily going to like everything. [But] what I would say to Disney is do not bring out a black character, market them to be much more important in the franchise than they are and then have them pushed to the side. It’s not good. I’ll say it straight up.

The former Star Wars star wouldn’t even concede that making the Star Wars trilogy was “a great experience.” “Nah, nah nah,” “he responded, “I’ll take that deal when it’s a great experience. They gave all the nuance to Adam Driver, all the nuance to Daisy Ridley. Let’s be honest. Daisy knows this. Adam knows this. Everybody knows. I’m not exposing anything.”

I love a good candid interview, and major kudos to Boyega for speaking openly when there’s enormous pressure, even now, to just say that he loved making the movies and he loved the fans and he loved it all. Even though I enjoyed The Last Jedi more than he did (and maybe disliked The Rise of Skywalker more than he does), I can’t argue Boyega’s point that after debuting three main characters in The Force Awakens, Rey really became the focal point of the subsequent films, with Poe and Finn very much playing supporting roles after that. I can see why that would have been frustrating for Boyega. There was a lot of untapped potential in that character he never really got to explore.

Gallery — Every Star Wars Movie Ranked From Worst to Best:

‘Class Action Park’ Review: A Dangerous Theme Park Gets Its Due

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerPublished: August 21, 2020HBO Max

My elementary school classmates were prone to hyperbole. Trips on the school bus to Defino Central in Marlboro, New Jersey were filled with wild stories that I learned to treat total skepticism. The hoverboard from Back to the Future Part II? Those were real, the kid down the block insisted, but Mattel took them off the market after kids kept getting hurt on them. Three Men and a Baby? There’s a ghost in the movie if you look carefully — a real ghost. The Star Wars trilogy? Actually it’s a “tri-trilogy” and there are six more coming out. (Okay, so even a blind squirrel finds a nut every now and then.)

Then there were the stories about Action Park, a local water park advertised constantly on local television in New Jersey in the 1980s. According to one kid in my neighborhood, Action Park was a literal death trap. One particular water slide with a 360-degree loop at the bottom was so deadly, he swore, that it had been permanently closed after repeated bodily traumas. At the time, I nodded and mumbled something in agreement but quietly thought to myself “This kid is full of crap.”

Then I went to Action Park.

As explored in Class Action Park, a very funny and sometimes terribly sad HBO Max documentary, Action Park in Vernon, New Jersey was the rare place where the urban legends were not only true, they undersold reality. People did die at Action Park; countless more were hurt, some gravely. Even the “safe” rides were monitored by a staff of disinterested, underpaid, drunk and/or stoned teenagers. The film notes that at the park’s height, it became so popular — and so accident-prone — it had to buy and staff its own ambulance, because the local emergency medical services was spending so much time driving Action Park’s victims to the hospital there was no one available to help the rest of the town.

HBO Max

Class Action Park, which gets its title from one of the place’s morbid nicknames (“Traction Park” was another popular one), chronicles the resort’s surreal and sordid history. It combines archival and home movie footage from Action Park with interviews from former staff members, journalists, and guests who endured the experience. (It turns out comedian Chris Gethard’s brand of dark humor is the ideal vehicle for descriptions of Action Park’s deranged rides, like the “Alpine Slide” that mimicked the concept of a ski slope in the summer via a sprawling concrete half-pipe guests traversed in a rickety sled outfitted with a barely-functioning brake.) One park manager points out that “a certain number of the Action Park rides were more or less designed in house by people without engineering degrees — and I was certainly one of them.” His eyes gleam with pride as he speaks these mortifying words.

Some of the most extreme attractions, like the famed Cannonball Loop seen above, sprung directly from the mind of Action Park’s owner and founder, Gene Mulvihill, who turned to entrepreneurship after a failed stint on Wall Street. He purchased a ski resort in Vernon and then struck upon the idea of a water park that he could operate in the off-season. If Willy Wonka sold his chocolate factory and designed a theme park in order to identify and punish reckless children, he would have built Action Park. The portrait painted of Mulvihill in Class Action Park — a man who flagrantly and even gleefully ignored every law, never apologized for a mistake, and sued anyone who challenged hi — will sound awfully familiar to modern audiences who followed national politics over the last four years.

Mulvihill’s son Andy appears as a talking head in Class Action Park, describing with obvious pleasure his father’s wild schemes and outlandish rides. (It’s hard to pick the single craziest attraction, but the Go-Karts with a top speed of 60 miles per hour that were located directly besides the enormous Oktoberfest beer tent might take the cake.) For most of Class Action Park’s first hour, interviewees breathlessly describe the staggering number of hazards present in almost every corner of the park. Untrained people designed the rides, which were then built by people with no experience, who then tested their handiwork on unsuspecting park employees, who would get $100 to play guinea pig on amusements like the Aqua Skoot, which attempted to replicate the physics of skipping a stone with the human body. (In practice, riders tended to face plant into the Aqua Skoot’s pool rather than bounce across it as intended.)

HBO Max

Action Park’s commitment to thrills and total disinterest in safety means it’s hard not to laugh at a lot of this documentary, and directors Chris Charles Scott and Seth Porges do an nice job of capturing the essence of the park’s larger-than-life reputation through the incredulous testimony of the resort’s survivors. The filmmakers could have stopped there and wound up with a frivolous bit of nostalgia. Instead, they go deeper, interviewing the family of one man who died at Action Park while taking a broader look at the place’s impact on the local community and residents. While I’m not sure I agree with all of their conclusions, especially the way they present Action Park’s laissez-faire attitude as evidence of some kind of broader societal dysfunction of the 1980s, I admired the fact that they didn’t shy away from the dark side of this story, even though the audience for this documentary might prefer a lighter take on the material.

Action Park closed down in the mid-1990s, but its legend continued to grow. In 2018, it served as the loose inspiration for Action Point, a Johnny Knoxville comedy about an eccentric who opens his own DIY amusement park. Although that movie tried to capture the anarchic spirit of the real park by subjecting Knoxville to authentic Jackass-esque stunts, Action Park was a place where truth was actually stranger than fiction — and no Hollywood approximation could do it justice. Now Class Action Park stands as the document it deserved. Like the resort it captures, everything in this film is fun and games right up until the moment someone gets seriously injured.

Gallery — Gloriously Ridiculous Movie Promo Photos:

Why ‘Star Wars’ New Republic Was Always Doomed to Failure

href=”//screencrush.com/author/screencrushstaff/” rel=”author” title=”ScreenCrush Staff”>ScreenCrush StaffPublished: August 18, 2020Lucasfilm

Return of the Jedi ends on such a high note. The Rebels are victorious. The Emperor is dead. The Empire is on the verge of collapse. It was the dawn of a New Republic.

But when we rejoin our heroes in Star Wars: The Force Awakens, everything has fallen apart. The First Order is rising. Luke Skywalker is missing. Han Solo’s quit the Republic and he’s hanging out with Chewbacca and smuggling again like a dad from the suburbs who buys a Mustang and starts dressing like he did in college.

Despite the mega-happy-ending in Return of a Jedi, the New Republic was always doomed to fail. The new video from ScreenCrush’s Ryan Arey uses the long history of Star Wars novels to explain what went wrong — and why it was basically a foregone conclusion that this would happen:

If you liked this video about why the New Republic from the original Star Wars trilogy was doomed to fail, check out some of our other videos, including our theory about the possible time travel in The Empire Strikes Back, our recap of the entire series Star Wars: The Clone Wars, and our bigger recap of all of Star Wars. Plus, there’s tons more over at ScreenCrush’s YouTube channel. Be sure to subscribe to catch all our future episodes.

Gallery — Our Favorite Rise of Skywalker Easter Eggs:

Disney Halts 4K Physical Releases For Older Titles

href=”//screencrush.com/author/claireepting/” rel=”author” title=”Claire Epting”>Claire EptingPublished: August 11, 2020Walt Disney Studios

Disney is reportedly ceasing 4K Ultra HD production on older movies in its catalog — including titles acquired from 20th Century Fox — for physical release. The news was reported by The Digital Bits, who wrote: “Beyond new release theatrical titles, animated fare from Disney and Pixar, or Star Wars and Marvel-related projects, there were no plans at the studio going forward to release titles on physical 4K Ultra HD—future releases would be 4K Digital only.” So those hoping for 4K versions of films such as Fight Club, Aliens, and The Abyss to come out on physical discs may be waiting a very long time. Or forever.

Even in the era of (seemingly) unlimited streaming entertainment, there’s nothing quite like owning a copy of a movie on DVD or Blu-ray. You can watch the movie wherever and whenever you want, with no limits. In addition, the actual image quality of the film isn’t compromised by your internet collection. As long as you don’t scratch that puppy up, you’ll have a consistently high-quality viewing experience. But it seems like Disney is more focused on its digital prospects, and particularly their Disney+ streaming service, which become increasingly lucrative as many ditch their Blu-ray players for a Fire Stick.

Nothing is set in stone, but it seems unlikely that Disney would reverse its sights on its entertainment’s digitized future. At least the company isn’t abandoning 4K Blu-rays altogether, and for fans of Pixar, Marvel, and Star Wars, nothing much has changed. All of this serves as a reminder to hold on tight to your physical media. We never know when it will become obsolete.

Gallery — The Most Surprising Movies Available on Disney+:

Why Every ‘Star Wars’ Film Has the Wrong Title

href=”//screencrush.com/author/screencrushstaff/” rel=”author” title=”ScreenCrush Staff”>ScreenCrush StaffLucasfilm

The Star Wars movies didn’t even have subtitles for decades. Heck, Star Wars was just Star Wars until The Empire Strikes Back came along. The whole Episode element didn’t become a big deal until the prequels, which wanted to make it clear to general audiences that these movies were taking place before the original Star Wars trllogy.

The subtitles seemed to get more lofty and vague as the years went on. As a new TikTok video that’s gone viral observes, the subtitles are basically so generic they could apply to almost any movie in the franchise. In fact, this video argues (half-jokingly) that each Star Wars movie has the wrong subtitle.

For example, Star Wars: Episode I introduces Anakin Skywalker — so it should be called The Rise of Skywalker, not The Phantom Menace. Episode II sees the evil Darth Sidious raising an army to destroy the Jedi — hence it should be Revenge of the Sith, not Attack of the Clones — which would be better suited for the actual Revenge of the Sith, which contains the actual attack of the clones after Palpatine executes Order 66.

And so on. Watch the whole thing right here:

It’s a funny video, and in some ways a persuasive argument; The Last Jedi probably makes more sense if it’s called A New Hope, while The Rise of Skywalker was much more concretely about a “phantom menace” than Episode I ever was.

A grumpy Star Wars fan (is there any other kind???) might argue that some of this is all by design thanks to the circular nature of the Star Wars franchise. George Lucas liked to say that the various trilogies “rhymed,” which would explain why the themes and images reoccur. This is just one more example of that. Or the titles are bad. You decide.

Gallery — Every Star Wars (With the Wrong Title) Ranked From Worst to Best:

Ron Howard Reveals the Fate of A ‘Solo’ Sequel

href=”//screencrush.com/author/claireepting/” rel=”author” title=”Claire Epting”>Claire EptingLucasfilm

Disney and Lucasfilm have been churning out Star Wars content over the last decade like nobody’s business. Along with the sequel trilogy, we’ve seen a host of spinoffs emerge such as Rogue One: A Star Wars Story, The Mandalorian, and Solo: A Star Wars Story. Since Solo’s 2018 release, fans have been wondering whether or not we will get a follow up to the scruffy nerf herder's origin story. In a recent interview with Andy Cohen on Radio Andy, director Ron Howard went ahead and confirmed that there is no Solo 2 in the works:

Well, there’s no sequel planned now. It’s amazing to be a part of a 'Star Wars' movie that seems to be a kind of underground hit, which is not what you’d expect, but that’s been an odd, strange journey for that movie.

Howard stepped in to direct the standalone prequel movie after Phil Lord and Chris Miller were fired from the production. Solo debuted in theaters to a lukewarm audience, and became the first Star Wars movie to be considered a box office disappointment. Since then, fans have grown to appreciate the movie and its well-intentioned charm. From the way the movie played out, it certainly seems like Disney and Lucasfilm were banking on more installments with Alden Ehrenreich's young Solo. But the movie’s monetary earnings told a different story.

With the Skywalker Saga officially in the books, it will be a while before another Star Wars film graces the big screen. In the meantime, we can look forward to another season of the Emmy-nominated series The Mandalorian, to hit Disney+ later this year.

Gallery — Every 'Star Wars' Movie Ranked From Worst to Best:

‘Mulan’ Remake Now Delayed Indefinitely

href=”//screencrush.com/author/screencrushstaff/” rel=”author” title=”ScreenCrush Staff”>ScreenCrush StaffDisney

Mulan was so close to being released before the coronavirus pandemic got bad that it had an American premiere. There were early reviews! At the last minute, Disney decided to postpone the movie to July — and then, when the pandemic did not improve by early summer, to push it back again to August. Now they’ve decided to postpone it a third time. And they offered no new release date at present, a chilling sign of just how bad things have gotten in this country, and how uncertain the future looks to people whose finances rest on selling tickets in movie theaters.

Disney’s announcement coincides with the news that they are delaying all their Star Wars and Avatar sequels for at least a year. (The first new Avatar was previously scheduled to arrive a year from this coming Christmas.) And it follows Warner Bros. decision to postpone the release of their last summer 2020 holdout, Christopher Nolan’s Tenet. Ominously, they didn’t give that movie a new release date yet either.

This leaves the state of theatrical movies looking about as grim as it has at any point in the last six months. There are no big movies scheduled to open exclusively in theaters until A Quiet Place Part II in early September. After that, it’s Wonder Woman 1984 in early October. In a sign of the increasingly dark forecast for theaters, Bill & Ted Face the Music announced today that they would be premiering on VOD the same day it “opens in theaters” on September 1. That sort of release soon be the rule, not the exception.

Gallery — The Best Shorts to Watch on Disney+:

John Williams Talked George Lucas Into His Score on Star Wars

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerGetty Images

I’m not entirely sure why it came out this week, but The New Yorker has a lovely interview with composer John Williams, mostly about his work on the nine-film Star Wars saga, now that it is finally concluded following the release of last winter’s Star Wars: The Rise of Skywalker. 

The whole piece is worth a read, but the highlight might be Williams describing his own Star Wars origin story. He’d already made several movies with Steven Spielberg when George Lucas began looking for someone to make a “classical score” for a new science-fiction project. Spielberg convinced Williams to meet with Lucas — who in Williams’ telling, wanted to use “preëxisting classical works” in Star Wars.

Instead, it was Williams who convinced the director to use new music (by, y’know, John Williams):

The composer argued for an original score, in which newly created themes could be manipulated and developed to best serve the drama.

A spokesman for Lucas told The New Yorker that as far as he recalls he “never intended to use extant music in the film.” But if Williams’ memory is correct, not only do we have John Williams to thank for his remarkable Star Wars themes — we also have him to thank for the fact that there are Star Wars themes at all. If not, we could have associated the opening Star Wars crawl with Wagner or something. And then you have to wonder whether it would have made even remotely the same impact. (In my opinion, it would not.)

The entire Skywalker Saga is currently streaming on Disney+. That’s a whole lot of John Williams music.

Gallery — Cool Star Wars Easter Eggs in Other Movies and Shows:

This Next-Gen Theater Design Looks Like Star Wars Galactic Senate

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerOma

With no end to the coronavirus pandemic in sight, and movie theaters around the country still closed, people are wondering: How can theaters survive if this pandemic continues for a number of years? Is there a way to make theaters safer, so they could possibly reopen even with the pandemic continuing to threaten customers?

One possible way — or at least one creative boondoggle — is being attempted in France. As spotted on Twitter, the new Oma Cinema under construction in Paris promises “a new era of movie theater.” It was designed before the pandemic, but is now seen as a possible way to bring proper social distancing guidelines to theaters, where customers are crammed together in rooms with no windows. The seats are attached in small pods on the wall, rather than in rows along the floor.

You can watch their trailer for the unique theater design (by architect Pierre Chican) here:

I will leave it to epidemiologists to tell me whether this design really would make a difference in terms of the risk of contracting the coronavirus. All I know is this: This thing looks exactly like the Galactic Senate featured in the Star Wars prequels.

Look, right now any movie theater that can be proven safe during the coronavirus sounds like a good movie theater, no matter what it looks like. But a movie theater where you can watch Tron: Legacy while Yoda and Palpatine throw giant seating pods at each other? That sounds like a much more exciting upcharge than 4DX.

Gallery — 15 Reasons We Miss Movie Theaters (Besides Movies):

John Boyega Says He’s ‘Moved On’ From ‘Star Wars’ For Good

href=”//screencrush.com/author/claireepting/” rel=”author” title=”Claire Epting”>Claire EptingLucasfilm

Star Wars actor John Boyega shared via Instagram that he is not interested in returning to his character of Finn in the future. The statement was in response to a photo Boyega posted on set for a new project, prompting a fan to comment: “Force Finn in action with Green lightsaber dressed in black is all I want from the next SW film!” Boyega took the opportunity to set the record straight. He’s done with Finn (for the foreseeable future, at least). Replied Boyega: “lol no thank you. I’ve moved on [heart emoji].”

Following these comments, another Instagram user lightheartedly accused Boyega of using the Star Wars franchise to “[get] those Disney bucks” and “dip.” But Boyega set the record straight, stating: “nope. Not into playing one role for too long. I have more to offer than that. That’s all.” This kind of candid response has become Boyega’s signature. He’s been hit with every kind of Star Wars question (and sometimes backlash), and he’s become a pro at shutting down rumors and telling it how it is.

But just because Boyega’s not keen on returning to a galaxy far, far away, that doesn’t mean he wouldn’t return to another previous role down the line. About a month ago, director Joe Cornish and Boyega discussed the possibility of Boyega reprising his character of Moses in an Attack the Block sequel. On the same Instagram thread, one user asked Boyega if another Attack the Block film was coming. Boyega responded, “I haven’t played Moses in over a decade. I’d love to revisit him. Now he is a BADASS.”

Gallery — Every Unanswered Question In Star Wars: The Rise of Skywalker:

Hayden Christensen Will Play Anakin Skywalker Again

href=”//screencrush.com/author/claireepting/” rel=”author” title=”Claire Epting”>Claire EptingLucasfilm

Over at Disney+, a Star Wars live-action television series based on Obi-Wan Kenobi is still in the works. Back in January, it was announced that the project was on hold indefinitely due to some major script revisions, and that’s the last we’ve heard. Now, according to LRM Online, a new casting deal has gone down behind the scenes. Hayden Christensen is supposedly reprising his role of Anakin Skywalker for the series.

The information is labeled as a "Top Shelf Rumor,” but LRM states that they “can safely say that Hayden Christensen will be reprising his role as Anakin Skywalker for the upcoming Disney+ Kenobi series.” It’s not an implausible notion when you think about it. The show is planned to take place in between the Prequel and Original Trilogy, when Anakin is, well, Darth Vader. But through the use of dream sequences or perhaps even flashbacks, Anakin could definitely continue to be a part of Obi-Wan’s journey.

The weird part, however, is that LRM specifically labels Anakin Skywalker as a “regular” role in the new series. If that does turn out to be true, just how much Anakin should we expect to see? It’s been 15 years since Christensen’s last onscreen appearance as Skywalker. At the time, he was just 24 years old. Having him step back into the role without any sort of time lapse in the Star Wars universe might feel a little jarring. Then again, is there anyone else who could really capture Anakin in all his mumbling glory? Here’s hoping the rumor is true.

Gallery — Every Star Wars Movie Ranked From Worst To Best:

‘Star Wars: The Clone Wars’ Gets Spinoff Series ‘The Bad Batch’

href=”//screencrush.com/author/mattsinger/” rel=”author” title=”Matt Singer”>Matt SingerLucasfilm

While the Clone Wars are officially over, the story of The Clone Wars will continue.

Star Wars: The Clone Wars finally concluded with its long-delayed seventh season on Disney+ earlier this spring. Today, Disney announced a new animated spinoff coming to the streaming service next year: Star Wars: The Bad Batch.

Clone Wars fans know exactly who that is, but here’s how Disney’s official announcement describes the show:

The series follows the elite and experimental clones of the Bad Batch (first introduced in “The Clone Wars”) as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch – a unique squad of clones who vary genetically from their brothers in the Clone Army — each possess a singular exceptional skill which makes them extraordinarily effective soldiers and a formidable crew. In the post-Clone War era, they will take on daring mercenary missions as they struggle to stay afloat and find new purpose.

If you haven’t followed The Clone Wars, you can find everything you need to know about the Bad Batch (and the show in general) in this video recap:

Star Wars: The Clone Wars grand poobah Dave Filoni will executive produce the series, while Brad Rau of Star Wars: The Clone Wars and Star Wars: Resistance will serve as supervising director with Resistance’s Jennifer Corbett working as head writer.

The Clone Wars is expected to premiere on Disney+ some time in 2021.

Gallery — Amazing Star Wars Concept Art:

The Best Low-Budget Films Made For Less Than $1 Million

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To the average person, a million dollars is a lot of money. But when it comes to filming a major motion picture, a million dollars is a drop in the bucket. The truth is, a typical modern blockbuster (anything in the Avengers or Star Wars arsenal) takes upwards hundreds of millions of dollars to make. And yes, that’s a fair investment when your profits are in the billions, but most movies aren’t playing anywhere near that ballpark.

In the movie-making business, it takes money to make money, right? Well, not always. You might be surprised to learn that these big name films had humble beginnings. Here are twelve films that were made with a budget of less than a million dollars.

Gallery — The Most Expensive Blockbusters of All Time:

‘Star Wars’ Suggests Jedi Qui-Gon Jinn Is A Skywalker By Name

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One of the best things about the Star Wars franchise is the never-ending analysis of its hundreds of characters. And a new article for ScreenRant suggests a bold new interpretation of The Phantom Menace's protagonist Qui-Gon Jinn. Prepare yourself — Qui-Gon Jinn might actually be a Skywalker, according to the rules of Star Wars.

No, you say. That makes zero biological sense. And you have a point. There's no feasible way that Jedi Qui-Gon Jinn is bound to the Skywalker family tree by blood. But as we learned in The Rise of Skywalker, one does not need to be related to Luke to adopt the surname.

At the very end of the movie, Rey tells a passerby that her name is Rey Skywalker. In this case, the "Skywalker" moniker is more of a metaphor than anything else. Following that same logic, Qui-Gon Jinn could also be considered a Skywalker as well.

Following this theory, one would have to look at the characters of Star Wars as archetypes rather than standalone beings. It's not as much about who Luke Skywalker is, but what he represents.

Luke was always being pulled between the Light and Dark sides of the Force, and the resulting struggle created a balance between the two. Rey's purpose, then, is to preserve that balance. Rewinding back to The Phantom Menace, it's clear that Qui-Gon Jinn has a deep understanding of the Force. One could even say that he was, as ScreenRant puts it, "the agent of balance" in Anakin Skywalker's time. And that, ladies and gentlemen, would make him a Skywalker. Not by blood, but by name. Which character is the fandom going to tackle next?

Also, check out our piece explaining why Qui-Gon Jinn is the most important Jedi.

Gallery — Every 'Star Wars' Movie Ranked From Worst to Best:

‘Cobra Kai’ Jumps From YouTube to Netflix

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In addition to being the official home of unboxing videos and fan theories about how actually the Empire was the good guys of Star Wars, YouTube recently attempted to expand their audience by launching its own line of original programming available by subscription. Their service was called “YouTube Red,” whose flagship show was Cobra Kai, an update and sequel series to the classic ’80s franchise The Karate Kid. Cobra Kai has been about as well-received as any legacyquel revival of recent years, earning very solid reviews from critics and fans. But the show has never quite broken out beyond that, perhaps because to most people YouTube remains a place to watch unboxing videos and fan theories, not splashy television shows you have to pay for.

It seems, amidst increasing competition in the streaming space, that that YouTube now agrees with that assessment. They’re basically abandoning their scripted originals, which are all now looking for other homes. The biggest show of the bunch, Cobra Kai, has landed at Netflix. More, via The Hollywood Reporter:

The first two seasons, which aired on YouTube in 2018 and 2019, will make their debut on Netflix later this year. A premiere date for the third season of the drama from Sony Pictures Television will move to Netflix at a date to be determined. YouTube had previously picked up the comedy for a third season before changing its business model from a subscription to an ad-supported platform.

Cobra Kai makes a lot of sense on Netflix, and it wouldn’t surprise me in the slightest if the show took off in a huge way with Netflix’s algorithm and massive audience behind it. As for YouTube, it’s just tough to convince people to pay for something — even something really good — once you’ve conditioned them to expect things for free. If you need something new to binge over there, well, there’s always this.

Gallery — The Best TV of 2020 So Far:

Mark Hamill Reveals He Has Numerous Secret ‘Star Wars’ Cameos

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The Star Wars movies are well-known for their use of hidden Easter eggs and inside references, and that includes actor cameos. While Mark Hamill is best known for his role of Luke Skywalker, the Disney+ documentary series Disney Gallery: The Mandalorian revealed that he also voiced droid EV-9D9 for the show. Now that the secret’s out, Hamill took to Twitter to reveal some more of his covert appearances in the Star Wars movies. According to Hamill, he’s had small voice roles in every Star Wars movie except for the prequels:

Now, you may have already known that Hamill provided the voice and motion capture for minor character Dobbu Scay in Star Wars: The Last Jedi — his name was listed in the credits. But in The Rise of Skywalker, his character of Boolio is credited to “Patrick Williams,” which turns out to be a pseudonym for Hamill. But “Patrick Williams" can’t be found in the credits of the rest of the movies, even though we know Hamill is in there somewhere. The verdict’s still out on which characters he voiced in The Force Awakens, Rogue One, and Solo. 

As many of us are still in self-isolation, now might be the perfect time to investigate these movies for further Hamill voice cameos. It won’t be easy though — Hamill is a master of disguise when it comes to voiceover work. Still, it’s worth a shot. Happy Hamill hunting!

Gallery — The Best Director Cameos In Their Own Movies:

Lin-Manuel Miranda Reveals How ‘Hamilton’ Got a PG-13 Rating

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UPDATE: In a brief Twitter thread, Lin-Manuel Miranda revealed what had to be changed in Hamilton to earn its PG-13 rating. The original show had 3 F-bombs, and any more than one automatically earns you an R. The one in “Yorktown” is now muted and there’s a record scratch covering the other. The show remains otherwise intact, Miranda says, explaining “you’re getting the whole show.”

ORIGINAL POST: Disney+ prides itself on being a wholesome, family-friendly streaming service. Forget about watching R rated movies; the site barely has any PG-13 content. There’s a couple Marvel and Star Wars movies on there that are PG-13, largely because of their action and violence, some Pirates of the Caribbeans, and a couple of “edgier” PG movies from before the PG-13 rating was invented (like Splash, with its CGI-enhanced butt-covering hair) and that’s really about it. Disney now owns Hulu, and uses that as the streaming home for much of its more adult content.

So it was a little surprising when Disney announced that they had acquired the film version of the beloved Hamilton musical, if only because its language would typically land any “Hamilfilm” in rated-R territory — and Disney doesn’t do rated-R territory. Then things got even more surprising when Disney decided that because of the coronavirus pandemic, they would eschew the movie’s planned theatrical release and instead put the movie directly on Disney+ — where, again, the naughtiest word you’re going to hear in most cases is, like, Goofy hollering “Gawrsh!”

Now that Hamilton is less than two weeks away, we’ve gotten the movie’s trailer, and its rating. According to FilmRatings.com, the MPAA’s official rating director, Hamilton is “Rated PG-13 for language and some suggestive material.” If the movie is a 1:1 adaptation of the stage version, it would almost certainly get an R for language. PG-13 movies are typically only allowed on F-bomb before they automatically get slapped with an R. So it’s not clear what Disney did, but either a very rare exception was made, or something was done to censor or remove the profanity. We’ll find out when the movie premieres on Disney+ on July 3.

Here’s the Hamilton trailer (it doesn’t contain any curse words):

Gallery — Surprising Movies on Disney+:

Joe Cornish and John Boyega Have Discussed ‘Attack The Block 2’

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Nearly a decade ago, Star Wars star John Boyega played a teen in South London who protects his neighborhood from an alien invasion in Attack the Block. Joe Cornish’s 2011 action comedy has since been remembered as a sharp antidote to the cliches of the sci-fi genre. Fans have been pining for a sequel for years now, and in a surprising twist, it actually might happen. In a new episode of the Script Apart podcast, Cornish shared his intentions to bring Attack the Block back nine years after it debuted. Listen to the audio clip for yourself:

And here’s the transcript of Cornish’s response:

We’ve got ideas. I met with John a couple of months ago to talk about it. We’ve always had ideas since after the first one, but obviously we’ve both been busy doing different things. In a weird way, kinda, the longer you leave it the more interesting it is. So that’s what I’ll say.

Boyega responded to the news on Twitter:

What’s exciting about the possibility of an Attack the Block sequel is how it would use the time jump to its advantage. As Cornish said, the longer you leave a movie without a sequel, the bigger the buzz when it does return (*cough cough* Avatar). Now that Boyega has established himself as a force to be reckoned with in the realm of sci fi, seeing him in Attack the Block 2 would be really cool. And hopefully, Cornish and Boyega could find a way to weave in relevant social commentary, much like the first movie did. So far, the talks have only been preliminary. But now we know that an Attack the Block sequel is possible, and that’s certainly worth something.

Gallery — The Best Sci-Fi Movie Posters Ever:

Sam Raimi’s ‘Spider-Man’ Trilogy Almost Looked Very Different

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We can thank Sam Raimi’s 2002 movie Spider-Man for setting the standard for the modern superhero blockbuster. Much of its success can be attributed to Tobey Maguire’s winning performance and writer David Koepp’s script, which balances deep character development with large-scale spectacle. But Koepp’s original plan for this Spider-Man adaptation was more than just a one-off film. Once upon a time, Koepp had his own vision for Raimi’s Spider-Man trilogy, and it would have made the series much different. In a new interview with Collider, the screenwriter revealed his intentions for a second and third movie, including the killing off of (gasp!) Gwen Stacey. Said Koepp:

Basically [my trilogy idea] was the telling of the Gwen Stacey/Harry Osbourne story but I spaced everything out differently. I wanted Gwen to be killed in the middle of the second movie, because that follows sort of the Empire Strikes Back model, and I had different villains I wanted to use. Just a different way to tell that story.

So there you have it. Koepp’s idea for Spider-Man was to give it an epic structure similar to Star Wars. Years later, Koepp would have the opportunity to bring his ideas back to life when he was in talks to pen The Amazing Spider-Man 2 and The Amazing Spider-Man 3. But according to the screenwriter, he felt like “that moment had passed” from when he had first brought his ideas to the table. The Amazing Spider-Man films attempted to explore Gwen’s storyline, but the sequel didn’t receive the love Sony had hoped for. Since then, the Spider-Man franchise has continued with the Tom Holland-led Spider-Man:Homecoming

Since his Spider-Man days, Koepp has most recently made the thriller You Should Have Left, which will be released on Video on Demand June 18.

Gallery — Every Spider-Man Movie Poster From Worst to Best:

There’s Time Travel in ‘Empire Strikes Back,’ And No One Noticed

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The Empire Strikes Back is now 40 years old, and we’re still finding new stuff in the greatest Star Wars sequel of them all. For example: Did you know there’s time travel in Empire? Yep. It’s been there for 40 years, even if no one ever noticed.

This new video from ScreenCrush‘s Ryan Arey lays it all out. True, it’s not the more traditional form of time travel where someone from one point in time physically leaps to another point in time like in Back to the Future. But when you lay out all the events of The Empire Strikes Back (which is streaming now on Disney+), it’s clear that a form of time travel is taking place, and it involves Darth Vader and Luke Skywalker. Watch the video below for the full theory.

What do you think? Is Darth sending messages through time? If you liked this video about possible time travel in The Empire Strikes Back, check out some of our other videos, including our recap of the entire series Star Wars: The Clone Wars, our bigger recap of all of Star Wars, and our investigation into the reasons Rise of Skywalker was such a frustrating experience. Plus, there’s tons more over at ScreenCrush’s YouTube channel. Be sure to subscribe to catch all our future episodes.

Sign up for Disney+ here.

Gallery — Our Favorite Rise of Skywalker Easter Eggs:

‘Revenge of the Sith’ Destroys ‘Endgame’ In Best Blockbuster Poll

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What’s better: Star Wars or The Avengers? Each has their partisans, and they love to debate the superior franchise. But the eternal battle between the galaxy far, far away and the Marvel Cinematic Universe had an interesting skirmish this week, thanks to Rotten Tomatoes. They’re currently doing a “Summer Movie Showdown” bracket trying to determine the greatest blockbuster ever. As the tournament progressed, Avengers: Endgame got matched up against Star Wars: Revenge of the Sith. The results were … surprising.

Avengers: Endgame might have grossed more money in theaters. It might have earned better reviews from critics. But the fans voting in the poll overwhelmingly chose Revenge of the Sith. Rotten Tomatoes’ post suggests there was some ballot box stuffing involved…

Well, we’re not exactly sure what happened (*cough* Reddit *cough*), but the biggest box office moneymaker of all time, Avengers: Endgame, was soundly defeated by Star Wars: Episode III – Revenge of the Sith. No, scratch that — Endgame was absolutely demolished by RotS, by a margin of 81% to 19% of the vote, with almost 550,000 votes cast in that match-up alone.

Even if Reddit did get out the vote for Revenge of the Sith, that speaks to the passion of those fans for the final Star Wars prequel (or maybe their passion for ensuring a Star Wars movie wins this contest instead of a Marvel movie.) Either way, 550,000 votes cast and a margin of almost 60 percent of the votes are both eye-popping stats for a time-wasting movie bracket. The Force is strong with those Star Wars fans. Or at least they know how to rally their numbers on Reddit. Either way, now Revenge of the Sith now faces off with The Dark Knight Rises in the Elite 8 round. Let’s see how that turns out for them.

Gallery — Every Star Wars Movie Ranked From Worst to Best:

‘Empire’ Had a Different Ending When It Was First Released

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The Empire Strikes Back opened in theaters 40 years ago this week, and StarWars.com is commemorating the occasion with all kinds of new features and content about the film. Yesterday, they posted an eye-opening article that revealed something I never knew about the Star Wars sequel: It originally had a slightly different ending.

Yes, George Lucas was still futzing with the film after it was already playing in theaters in 1980. Here’s what happened: The Empire Strikes Back was initially released in about 100 theaters in 70mm. Before it made the jump to wide release, Lucas decided he needed to quickly create three more shots that would help clarify something he found confusing, namely the physical relationship between the characters on the Millennium Falcon and the characters on the medical frigate where Luke was healing from his injuries in the fight with Darth Vader.

As StarWars.com explains, Lucas felt the original version, which lacked these shots, was confusing and raised all kinds of questions in the minds of viewers:

Where were Luke and Leia in relation to Chewie and Lando? Were the heroes on the same spaceship or two different ones? If the latter, where was the Millennium Falcon in relation to the rebel medical frigate? In the rush of completing the film, the potential hazard had been overlooked, but Lucas was never one to miss an opportunity for improvement. There was a generous three-week window before Empire’s wider 35mm format release on June 18, just enough time to create three new shots.

With those three weeks, Lucas (who didn’t even direct The Empire Strikes Back, remember; that was Irvin Kershner) assembled a team of special effects artists to create the three shots: A view of the Rebel fleet establishing there were more ships than just the Millennium Falcon, a closer shot of the Falcon exterior, and a pan from the Falcon exterior to the frigate.

You can read much about the shots and the team that created them at StarWars.com. (The version streaming on Disney+ obviously includes the updated scene.) It is fascinating that Lucas’ tinkering with the Star Wars trilogy began long before the notorious Special Editions. It’s just in his nature never to “finish” anything he creates.

Gallery — All the Stuff Luke Skywalker Screws Up in The Empire Strikes Back:

Boba Fett Will Appear in ‘The Mandalorian’ Season 2

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Man, it’s been a big week for Boba Fett. I guess when you’ve already got a mask built into the helmet you wear all day every day, coronavirus is no big whoop.

Earlier this week, a massive profile of director Josh Trank confirmed once and for all that the solo Star Wars movie he was going to work on was in fact a solo Boba Fett movie. Of course, that film never came to fruition. But now we find out that everyone’s favorite bounty hunter will return to screens very soon anyway — on Season 2 of The Mandalorian

The Hollywood Reporter reported the news. They also reveal that Fett will be played by Temuera Morrison, who played Boba Fett’s father Jango Fett in the Star Wars prequels. A Boba Fett return was teased, very briefly, in the first season of The Mandalorian:

Boba Fett is expected to play just a small role in season two of the series, after the character was teased in the season one episode "The Gunslinger," when a mysterious figure sporting the bounty hunter's trademark spurs approached the apparently lifeless body of Fennec Shand (Ming-Na Wen).

Boba Fett was originally portrayed in The Empire Strikes Back and Return of the Jedi by actor Jeremy Bulloch. His voice was supplied by Jason Wingreen — but when George Lucas revised the Star Wars trilogy for their first Blu-ray release, he had Morrison re-record Wingreen’s lines and inserted them into the updated films. (Boba Fett, you see, is really Jango Fett’s clone, though he treats him as his son.)

Fans will surely greet this news with intense excitement; a Boba Fett vs Mando faceoff seems both inevitable — and the perfect conflict for a future season of The Mandalorian. The show is expected to return to Disney+ for its second season this fall.

Gallery — Amazing Star Wars Concept Art: 

Disney Will Decide on Theatrical or VOD on a “Case-By Case” Basis

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The coronavirus has drastically altered the movie industry as we know it. As theaters remain closed in most places around the country, studios are scrambling to figure out a release strategy that keeps up with these new changes. After Universal saw success with their digital release of Trolls World Tour, they’re now looking to incorporate "Premium VOD" into their future business model. And movie theaters aren’t happy about it. But where does Disney stand on the matter?

On Disney’s Q2 earnings call yesterday, CEO Bob Chapek discussed the company’s stance on Premium VOD as a potential option for movie releases. He stated that Premium VOD would not replace Disney’s theatrical releases at all. However, other changes will manifest over time, including the decision to debut certain titles on Disney+ or other digital platforms. Said Chapek:

We very much believe in the value of the theatrical experience overall to launch blockbuster movies… But we also believe that either because of changing and evolving consumer dynamics or because of certain situations like COVID, we may have to make some changes to that overall strategy just because theaters aren’t open or aren’t open to the extent that anybody needs to be financially viable. So, we’re going to evaluate each of our movies as a case-by-case situation, as we are doing during right now during this coronavirus situation.

So far, Disney has decided to shift their upcoming release, Artemis Fowl, from theaters straight to Disney+ later this June. That’s the only title so far to face that change — everything else has been delayed until theaters are allowed to reopen. But now that we know Disney is open to the idea, we may see other non-blockbuster movies receive the same treatment. However, Marvel and Star Wars movies will almost certainly continue to be released in theaters, just as they were intended to be.

Gallery — The Most Surprising Movies on Disney+:

Why Uncle Owen Is The Most Underrated ‘Star Wars’ Character

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Everyone wanted to be like Luke Skywalker when they were growing up. But Luke didn’t beat the Empire with a lightsaber or by blowing up the Empire, but by redeeming his father, and seeing the good in other people. And the values he learned that enabled him to do that came from two very underappreciated Star Wars characters: his Uncle Owen and his Aunt Beru.

This new video from ScreenCrush’s Ryan Arey finally gives Owen and Beru the credit they deserve. It considers the characters in relation to their creator, George Lucas, and how his 1970s movies were fueled by his upbringing in California and his own desire to escape his humble surroundings. In that sense, it’s easy to see Uncle Owen as a stand-in for Lucas’ own father. But as this video shows, it’s much more complicated than that:

If you liked this video about Uncle Owen, underrated star of Star Wars, check out some of our other videos, including our full recap of the entire Star Wars: The Clone Wars TV series, our look at the entire Star Wars saga to date, and our video about an “A.I.” dissecting the plot of Star Wars: A New Hope. Plus, there’s tons more over at ScreenCrush’s YouTube channel. Be sure to subscribe to catch all our future episodes.

Gallery — Our Favorite Rise of Skywalker Easter Eggs:

Taika Waititi Is Officially Directing a ‘Star Wars’ Movie

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In January, rumors began flying that Lucasfilm wanted Taika Waititi to direct a Star Wars movie. In February, he said he was interested assuming it wasn’t career suicide.

Clearly, he decided it wasn’t.

In a press release cleverly timed to May the 4th, Lucasfilm has announced that Waititi is officially ready to make his Star Wars movie.

Academy Award® winner Taika Waititi, who recently won Best Adapted Screenplay for Jojo Rabbit and directed the widely-acclaimed first season finale episode of The Mandalorian on Disney+, will direct and co-write a new Star Wars feature film for theatrical release. Joining Waititi on the screenplay will be Academy Award® nominee Krysty Wilson-Cairns (1917, Last Night in Soho), who received a BAFTA Award for Outstanding British Film of the Year on the three-time Oscar-winning film, 1917.

Lucasfilm said a release date for Waititi’s film has “not yet been announced.” And they offered absolutely no details about any characters, stories, or settings in the film. Obviously. That’s what Lucasfilm does. (Lucasfilm also confirmed another recent report — that they are developing another Star Wars TV series for DIsney+, this one with Russian Doll co-creator Leslye Headland.)

The movie will probably be quite a few years away, even without a coronavirus pandemic to contend with. Waititi is already working on another Thor movie, Love and Thunder, which is due in theaters on February 11, 2022. So that would mean this Star Wars movie couldn’t possibly be done before 2023, or maybe a year or two after that.

In the meantime, the theatrical future of Star Wars remains very unclear. The only other officially announced projects still in development for the big-screen are Rian Johnson’s Star Wars trilogy, set apart in some way from the previous Skywalker Saga. A movie from Game of Thrones’ David Benioff and D.B. Weiss was announced and then abandoned.

Gallery — Every Star Wars Movie Ranked From Worst to Best: